{"id":1405,"date":"2016-11-22T10:01:18","date_gmt":"2016-11-22T10:01:18","guid":{"rendered":"http:\/\/localhost\/wordpress\/filmcampaign\/?page_id=1405"},"modified":"2025-12-26T08:56:01","modified_gmt":"2025-12-26T07:56:01","slug":"cast-crew","status":"publish","type":"page","link":"https:\/\/animal-film.com\/index.php\/cast-crew\/","title":{"rendered":"Cast &#038; Crew"},"content":{"rendered":"<div class=\"wpb-content-wrapper\">[vc_row][vc_column]    \r\n        <div class=\"tz-gallery tz-type-castcrew tz-fullscreen\">\r\n            <div class=\"tz-gallery-slider\">\r\n                <div class=\"tz-overlay\" style=\"background:rgba(0,0,0,0.2);\"><\/div>\r\n                <div class=\"tz-home-title absolute\">\r\n                                        <div class=\"tz-title\">\r\n                                            <\/div>\r\n                <\/div>\r\n                <div class=\"tz_supersized\"><\/div>\r\n                                    <div class=\"tz-gallery-item\">\r\n                        <div class=\"tz-gallery-info\">\r\n                            <div id=\"slidecaption\" class=\"slidecaption tz-gallery-title\"><\/div>\r\n                            <div class=\"tz-gallery-content tz-scrollbar-custom tz-rtl\">\r\n                                <div id=\"slidecaption1\" class=\"slidecaption content\"><\/div>\r\n                            <\/div>\r\n                        <\/div>\r\n                    <\/div>\r\n                                <a id=\"prevslide\" class=\"load-item navigation\"><i class=\"fa fa-angle-left\"><\/i><\/a>\r\n                <a id=\"nextslide\" class=\"load-item navigation\"><i class=\"fa fa-angle-right\"><\/i><\/a>\r\n                <div id=\"thumb-tray\" class=\"load-item\"><\/div>\r\n            <\/div>\r\n        <\/div>\r\n        <script>\r\n            jQuery(window).load(function(){\r\n                jQuery.supersized({\r\n                    \/* Functionality    *\/\r\n                    slideshow: 1,\t\t\t\/*  Slideshow on\/off *\/\r\n                    autoplay:    1,\t\t\t\/* Slideshow starts playing automatically   *\/\r\n                    stop_loop: 0,\t\t\t\/* Pauses slideshow on last slide   *\/\r\n                    random: 0,\t\t\t\/* Randomize slide order (Ignores start slide)  *\/\r\n                    slide_interval:   5000,\t\t\/* Length between transitions   *\/\r\n                    transition:   1,\t\t\t\/* 0-None, 1-Fade, 2-Slide Top, 3-Slide Right, 4-Slide Bottom, 5-Slide Left, 6-Carousel Right, 7-Carousel Left  *\/\r\n                    transition_speed:    750,\t\t\/* Speed of transition  *\/\r\n                    keyboard_nav:   1,\t\t\t\/* Keyboard navigation on\/off   *\/\r\n                    start_slide:   1,\r\n                    new_window:    0,\r\n                    image_protect:    0,\r\n                    min_width: 900,\r\n                    min_height: 600,\r\n                    vertical_center:   1,\r\n                    horizontal_center:   1,\r\n                    fit_always:    0,\r\n                    fit_portrait:   0,\r\n                    fit_landscape:   0,\r\n                    slide_links: 'blank',\r\n                    thumb_links:    1,\r\n                    thumbnail_navigation:   1,\r\n                    slides: [\t\t\t\/\/ Slideshow Images\r\n                                                                {\r\n                                            image       : 'https:\/\/animal-film.com\/wp-content\/uploads\/2025\/12\/ZW_047.jpg',\r\n                                            thumb       : 'https:\/\/animal-film.com\/wp-content\/uploads\/2025\/12\/ZW_047.jpg',\r\n                                            title       : '<h5 class=\"name\">Jozef Wilkon<\/h5><h6 class=\"position\"><\/h6>',\r\n                                            caption     : '<p class=\"p1\">Between 1947 and 1949, he attended the High School of Fine Arts in Krak\u00f3w. He is a graduate of the Academy of Fine Arts in Krak\u00f3w (Faculty of Painting, diploma in 1955) and of Art History at the Jagiellonian University (diploma in 1954).<\/p> <p class=\"p1\">He has illustrated nearly two hundred books for children and adults published in Poland, as well as several dozen published abroad. He has also worked in stage design (Wilam Horzyca Theatre in Toru\u0144, 1978) and designed tapestries (St. Stanis\u0142aw Wyspia\u0144ski Cooperative in Krak\u00f3w). Nature\u2014particularly animals\u2014has been the primary inspiration for his work; since the 1980s, animals have become the main protagonists of his artistic narratives. Since the 1990s, he has also created so-called \u201cspatial illustrations\u201d: menageries constructed from wooden beams and sheet metal. He gained international recognition and has received numerous awards in Poland and abroad.<\/p> <p class=\"p1\">In 2004, he created a nativity scene consisting of 44 figures, which remains on display at the Camaldolese monastery complex in the Bielany Forest, near the campus of Cardinal Stefan Wyszy\u0144ski University in Warsaw. Until 2020, a live donkey named \u201cFranek\u201d lived next to the nativity scene; it is currently accompanied by a mule named \u201cFranciszek II.\u201d<\/p> <p class=\"p1\">At the turn of 2006 and 2007, he presented <i>The Ark<\/i> at the Zach\u0119ta National Gallery of Art\u2014a bestiary made of wood and sheet metal, referencing the biblical Ark of Noah. Initially installed as a wall piece, the work was expanded in 2016 with side sections and a rear structure and placed on the grounds of a former manor farm, now part of the Radziejowice Palace and Park Complex. Another of the artist\u2019s works, <i>The Gate of the National Theatre<\/i>, is also located there. This is the original gate of the National Theatre, saved from being scrapped by Bogumi\u0142 Mr\u00f3wczy\u0144ski, then director of the Radziejowice Creative Work Centre, and entrusted to J\u00f3zef Wilko\u0144 for artistic transformation.<\/p> <p class=\"p1\">In December 2009, the J\u00f3zef Wilko\u0144 \u201cArk\u201d Foundation was established (President: Blanka Wyszy\u0144ska-Walczak, born 1963). Its mission is \u201cto protect and promote the artistic legacy of J\u00f3zef Wilko\u0144 and the broader values associated with the fine arts, with particular emphasis on illustration and book design.\u201d<\/p> <p class=\"p1\">In 2016, the 400th anniversary of the death of Miguel de Cervantes, a two-volume collector\u2019s edition of <i>The Ingenious Gentleman Don Quixote of La Mancha<\/i> was published in the translation by Anna Ludwika Czerny and Zygmunt Czerny, featuring one hundred illustrations by Wilko\u0144. Its ceremonial premiere took place in October 2016 at the Witold Lutos\u0142awski Concert Studio of Polish Radio in Warsaw, in the presence of the Deputy Minister of Culture and the Ambassador of the Kingdom of Spain.<\/p> <p class=\"p1\">Between 2017 and 2019, a three-volume series of conversations between Wilko\u0144 and Janusz G\u00f3rski was published, forming a narrated autobiography of the artist: <i>Mirror and a Ray of Light<\/i>, <i>The Rustle of Trees<\/i>, and <i>The Ark<\/i>. This artistic and literary collaboration continued with <i>The Alphabet of Wilko\u0144<\/i>, published by G\u00f3rski in 2021\u2014a collection of the artist\u2019s recollections about friends and acquaintances who, in the 1950s and 1960s\u2014the golden era of Polish book art and poster design\u2014worked as illustrators and graphic artists. The book includes social anecdotes, insights into artistic practice, and reflections on the publishing market during the communist era in Poland.<\/p> <p class=\"p1\">In October 2018, a mural based on J\u00f3zef Wilko\u0144\u2019s illustration <i>The Ark with Animals<\/i> was created on the wall of a building on Ko\u015bciuszki Street in Piaseczno.<\/p> <p class=\"p1\">In September 2022, the Piaseczno City Council adopted a resolution establishing a municipal cultural institution named the <i>J\u00f3zef Wilko\u0144 Museum of Contemporary Art in Piaseczno<\/i>, planned to be located in the former fire station building at 3 Pu\u0142awska Street. The museum is intended to present original works by the artist, promote contemporary art, and conduct educational activities.<\/p> <p class=\"p1\">In February 2025, during a ceremony at the Radziejowice Creative Work Centre, he celebrated a double jubilee: his 95th birthday and the 70th anniversary of his artistic career. The jubilee exhibition presented works from various periods of his career, including paintings from his student years, compositions created during plein-air sessions, and works from the <i>Water Carriers<\/i> and <i>Self-Views<\/i> series. The exhibition also featured tapestry designs\u2014an important part of his oeuvre\u2014as well as works never previously shown. Among the exhibited pieces was a series of digital illustrations created for his authorial book <i>The Rebellious Electron<\/i>, published in 2015.<\/p>',\r\n                                            thumb_title : '<h5 class=\"name\">Jozef Wilkon<\/h5>'\r\n                                        },\r\n                                                                            {\r\n                                            image       : 'https:\/\/animal-film.com\/wp-content\/uploads\/2016\/10\/p2-img-01.png',\r\n                                            thumb       : 'https:\/\/animal-film.com\/wp-content\/uploads\/2016\/10\/p2-img-01.png',\r\n                                            title       : '<h5 class=\"name\">Ryszard Wiencek<\/h5><h6 class=\"position\"><\/h6>',\r\n                                            caption     : '<p>Ryszard Wiencek is a film editor, director and producer with more than thirty years of experience in documentary cinema, radio, television, and audiovisual projects for cultural institutions. He began his career in 1989 as a composer and producer, creating sound identities, jingles and commercials for major Polish radio stations. His background in sound design has profoundly shaped his later cinematic language.<br \/> Gradually shifting his focus from sound to image, he developed as an editor, cameraman and director, co-creating over thirty documentary films. His work concentrates on memory, identity, and the human relationship with nature, often taking hybrid forms that blur the border between documentary and narrative cinema. At the same time, he firmly rejects staging in documentary filmmaking, considering it a substitute for ideas rather than a creative tool.<br \/> From 2000 to 2005, he served as Festival Center Director of the Camerimage International Film Festival, overseeing the opening and closing ceremonies, the festival TV studio and the programme of events within the Festival Center. This period significantly shaped his international perspective and understanding of cinema as both an art form and a professional environment.<br \/> He has also created audiovisual projects for museums and cultural institutions, including the Polish Vodka Museum and the J\u00f3zef Pi\u0142sudski Museum in Sulej\u00f3wek, where he combined cinematic narrative with exhibition space.<br \/> He is currently the editor, director and CEO of Nowa Formacja, a Krak\u00f3w-based company developing original documentary formats and commissioned projects.<br \/> The driving question of his work remains the boundary of documentary cinema: how far it can adopt the narrative tools of fiction without losing its identity. Each film is an attempt to answer this \u2014 not theoretically, but through form and storytelling. Rather than explaining, he seeks presence; rather than illustration, experience.<br \/> He lives and works in Krak\u00f3w.<\/p>',\r\n                                            thumb_title : '<h5 class=\"name\">Ryszard Wiencek<\/h5>'\r\n                                        },\r\n                                                                            {\r\n                                            image       : 'https:\/\/animal-film.com\/wp-content\/uploads\/2016\/10\/Ula00911376-scaled.jpg',\r\n                                            thumb       : 'https:\/\/animal-film.com\/wp-content\/uploads\/2016\/10\/Ula00911376-scaled.jpg',\r\n                                            title       : '<h5 class=\"name\">Urszula Dubowska<\/h5><h6 class=\"position\"><\/h6>',\r\n                                            caption     : '<p class=\"p1\">She is a graduate of the Faculty of Law and Administration at the University of \u0141\u00f3d\u017a (1981) and of the part-time Higher Vocational Programme in Television Production at the \u0141\u00f3d\u017a Film School (1994). She supervised the work of the production department on numerous documentary films and television theatre productions. Professionally, she was associated, among others, with the Educational Film Studio in \u0141\u00f3d\u017a, and subsequently with Polish Television.<\/p>',\r\n                                            thumb_title : '<h5 class=\"name\">Urszula Dubowska<\/h5>'\r\n                                        },\r\n                                                                            {\r\n                                            image       : 'https:\/\/animal-film.com\/wp-content\/uploads\/2016\/10\/Making_Off-master00902241-scaled.jpg',\r\n                                            thumb       : 'https:\/\/animal-film.com\/wp-content\/uploads\/2016\/10\/Making_Off-master00902241-scaled.jpg',\r\n                                            title       : '<h5 class=\"name\">Jacek Knopp<\/h5><h6 class=\"position\"><\/h6>',\r\n                                            caption     : '<p class=\"p1\"><b>Jacek Knopp<\/b><span class=\"s1\"> (born 13 July 1964 in Bytom, Poland) is a Polish <\/span><b>cinematographer, documentary filmmaker, and director of photography<\/b><span class=\"s1\"> for feature films, television productions, and documentaries. He is a graduate of the <\/span><b>Faculty of Radio and Television at the University of Silesia in Katowice<\/b><span class=\"s1\"> and a member of the <\/span><b>Polish Filmmakers Association<\/b><span class=\"s1\">.<\/span><\/p> <p class=\"p3\">He has served as director of photography on <span class=\"s2\"><b>over 80 documentary films and approximately 10 feature films<\/b><\/span>, as well as numerous television productions and theatrical broadcasts. His work spans a wide range of subjects, with a particular focus on <span class=\"s2\"><b>art, culture, and socially engaged documentary cinema<\/b><\/span>.<\/p> <p class=\"p3\">In addition to his cinematography work, Knopp has also directed documentary films, including <i>Landscape Before Silence<\/i> (1996), <i>Touch Me<\/i> (1999), <i>Life on the Edge of Creating an Image<\/i> (2001), <i>Faith, Hope, Love<\/i> (2002), <i>Ballad of a Home<\/i> (2006), and <i>Maria and Anna<\/i> (2008). His films are characterized by a strong visual sensibility and close attention to the inner worlds of his protagonists.<\/p> <p class=\"p3\">He is also known for <i>On the Edge \u2013 Witold K.<\/i>, a documentary devoted to the life and work of artist Witold Kaczanowski, which further confirms his long-standing engagement with the intersection of <span class=\"s2\"><b>visual art and cinema<\/b><\/span>.<\/p> <p class=\"p3\">Jacek Knopp\u2019s body of work reflects a consistent artistic approach that combines <span class=\"s2\"><b>documentary depth with refined cinematographic form<\/b><\/span>, making him one of the most experienced and respected Polish cinematographers working in documentary film today.<\/p>',\r\n                                            thumb_title : '<h5 class=\"name\">Jacek Knopp<\/h5>'\r\n                                        },\r\n                                                                            {\r\n                                            image       : 'https:\/\/animal-film.com\/wp-content\/uploads\/2026\/03\/MAciej_Wesolowski-scaled.jpg',\r\n                                            thumb       : 'https:\/\/animal-film.com\/wp-content\/uploads\/2026\/03\/MAciej_Wesolowski-scaled.jpg',\r\n                                            title       : '<h5 class=\"name\">Maciej Wesolowski<\/h5><h6 class=\"position\"><\/h6>',\r\n                                            caption     : '<p>A cinematographer with over fifteen years of experience in television and film production. He has collaborated on programs produced for TVN and Telewizja Polska, as well as on projects for corporate clients.<br \/> He began his professional journey working in set design and on film sets, gaining a deep understanding of the entire production process \u2014 from the technical backstage to the final frame.<br \/> He specializes in documentary and reportage filmmaking, where instinct, timing, and a keen sense of observation are essential. He also works on documentary films as well as corporate and brand productions.<br \/> Combining technical expertise with visual sensitivity, he creates images that are not only aesthetically compelling but, above all, authentic and meaningful.<\/p>',\r\n                                            thumb_title : '<h5 class=\"name\">Maciej Wesolowski<\/h5>'\r\n                                        },\r\n                                                                            {\r\n                                            image       : 'https:\/\/animal-film.com\/wp-content\/uploads\/2016\/10\/3240px-Koncert_Pruszkow_2019-07-20_by_Anna_Jaroszewicz_160-scaled.jpg',\r\n                                            thumb       : 'https:\/\/animal-film.com\/wp-content\/uploads\/2016\/10\/3240px-Koncert_Pruszkow_2019-07-20_by_Anna_Jaroszewicz_160-scaled.jpg',\r\n                                            title       : '<h5 class=\"name\">Krzesimir Debski<\/h5><h6 class=\"position\"><\/h6>',\r\n                                            caption     : '<p class=\"p1\">During his secondary school years, <span class=\"s1\"><b>Krzesimir D\u0119bski<\/b><\/span> performed in amateur music groups <i>The Hazards<\/i> and <i>Maszyna Rytmu<\/i>. With the latter, he made his debut in 1973 at the Festival of Contemporary Youth Music in Kalisz. In 1976, during the <i>Jazz nad Odr\u0105<\/i> festival in Wroc\u0142aw, he appeared as a jazz violinist with the band <i>Warsztat<\/i>, winning fourth place. A year later, the group took third place, while D\u0119bski received the second individual prize. In 1979, he left <i>Warsztat<\/i> and began collaborating with the Pozna\u0144-based cabaret <i>Tey<\/i>, the jazz ensemble of Kazimierz Jonkisz, as well as the orchestras of Zbigniew G\u00f3rny and <i>Teatr \u00d3smego Dnia<\/i>.<\/p> <p class=\"p1\">From 1980 onward, as leader of the band <i>String Connection<\/i>, he toured 25 countries\u2014throughout most of Europe as well as the United States and Canada. The group performed at major jazz festivals in Baden-Baden, The Hague, Helsinki, Berlin, Montreal, Nuremberg, Bilbao, Budapest, Kongsberg, and at <i>Jazz Jamboree<\/i> in Warsaw. In 1983, <i>String Connection<\/i> won first prize at the World Jazz Competition in Hoeilaart, Belgium. D\u0119bski also received the Stanis\u0142aw Wyspia\u0144ski Award (1985) and was repeatedly honoured as \u201cBest Violinist,\u201d \u201cComposer,\u201d and \u201cArranger of the Year\u201d in <i>Jazz Forum<\/i> magazine polls. In 1985, he was listed among the ten best jazz violinists by <i>DownBeat<\/i> magazine.<\/p> <p class=\"p1\">He has recorded more than a dozen albums of his own compositions for various labels, collaborating with artists such as Tony Lakatos and Charles Tolliver. He also led the ensemble <i>Di Rock Cimbalisten<\/i>.<\/p> <p class=\"p1\">Since 1988, he has been active as a composer and arranger, blending elements of contemporary music and jazz. He has composed over 50 symphonic and chamber works, including an opera, four oratorios, sacred music, and eleven instrumental concertos. He is a laureate of numerous composition competitions, including one marking the 25th anniversary of the <i>Pozna\u0144 Music Spring<\/i>, and a recipient of the Canadian Genie Award (1988) as well as the Polish Prime Minister\u2019s Award for music for children.<\/p> <p class=\"p1\">He has composed radio music for broadcasters in Warsaw, Opole, Szczecin, Malm\u00f6, San Francisco, Oslo, and Baden-Baden, and has collaborated extensively with lyricist Jacek Cygan.<\/p> <p class=\"p1\">D\u0119bski served as Vice President of the Polish Society for Contemporary Music and lectured at music courses in Ankara, Darmstadt, and San Diego. He has also focused on film, theatre, and experimental music. He has composed music for over 50 feature and television films, 35 theatrical productions, and more than 100 songs. His score for the television series <i>Maszyna zmian<\/i> received a nomination for the Emmy Award in the United States in 1998.<\/p> <p class=\"p1\">As a conductor, he has led recording sessions for Sony Classical Records and performed with artists such as Jos\u00e9 Carreras, Ewa Ma\u0142as-Godlewska, Nigel Kennedy, Adam Makowicz, Canadian Brass, Vadim Repin, Jean-Luc Ponty, Mark O\u2019Connor, John Blake, Alberto Iglesias, and Jos\u00e9 Cura.<\/p> <p class=\"p1\">In 2000, he received the Fryderyk Award for Composer of the Year and the Philip Award from the International Film Academy for his music to the film <i>With Fire and Sword<\/i>. A year later, he won the award for Best Film Music for <i>In Desert and Wilderness<\/i> at the International Film Festival in Pyros, Greece.<\/p> <p class=\"p1\">In 2010, he was honoured with the <i>Ecce Homo<\/i> Order for \u201ca musical retouching of the image of the country and the world,\u201d and in 2017 he received the <i>Pro Patria<\/i> Medal for \u201cspecial merit in cultivating the tradition of independence.\u201d On 26 May 2024, he was awarded the Gold Medal <i>Gloria Artis \u2013 Meritorious to Culture<\/i>.<\/p> <p class=\"p1\">Until June 2023, he taught composition and arrangement at the Ignacy Jan Paderewski Academy of Music in Pozna\u0144. In 2020, he was granted the title of <span class=\"s2\"><b>Professor of the Arts<\/b><\/span>.<\/p>',\r\n                                            thumb_title : '<h5 class=\"name\">Krzesimir Debski<\/h5>'\r\n                                        },\r\n                                                                {\r\n                                image       : 'https:\/\/animal-film.com\/wp-content\/uploads\/2016\/10\/Screenshot-2025-12-29-at-22.08.08.png',\r\n                                thumb       : 'https:\/\/animal-film.com\/wp-content\/uploads\/2016\/10\/Screenshot-2025-12-29-at-22.08.08.png',\r\n                                title       : '<h5 class=\"name\">Tomasz Malinowski<\/h5><h6 class=\"position\"><\/h6>',\r\n                                caption     : '<p class=\"p1\">Born in 1966 in Olsztyn, Poland. Graduated from Direction of Photography at Polish National Film School in Lodz Poland, 1995<\/p> <p class=\"p1\">A colorist, photographer, cameraman, lecturer at Warsaw Film School (WFS) For 30 years involved in the film industry. 15years experience as a colorist using colour systems: DaVinci Resolve, Nucoda Film Master, Quantel Pablo, Da Vinci 2K.<\/p> <p class=\"p1\">In the years 1995 \u2013 2008 worked as a cameraman in feature films alongside aclaimed photographers: Edward Klosinski PSC, Darek Kuc PSC, Andrzej Jaroszewicz PSC, Pawel Edelman PSC, Tomek Michalowski PSC, <span class=\"s1\">Michael Slovis<\/span> ASC, Richard Crudo ASC.<\/p> <p class=\"p1\">Author of photography in films by Agnieszka Arnold.<\/p> <p class=\"p2\"><span class=\"s3\">In the years 2008 \u2013 2017 he worked as a colorist on Telecine HD\/2K TVP, in the colour development of new digital copies, feature films. <\/span>His works encompass over 50 feature and series items developed with the best of Polish distinguished cameramen: Witold Soboci\u0144ski PSC, Pawe\u0142 Edelman PSC, Darek Kuc PSC, Jacek Petrycki PSC, Wit Dabal PSC, Ryszard Lenczewski PSC, Piotr Wojtowicz PSC,<span class=\"s3\"> Tomek Dobrowolski PSC, Grzegorz Kedzierski. <\/span><\/p> <p class=\"p1\">The rich portfolio of projects includes positions from the Canon of Polish cinematography: <i>Decalogue\u2019 TV series, \u2018Mr. Wolodyjowski\u2019 \u2018Gates of Europe\u2019 \u2018Holy Week\u2018 \u2018Dogs\u2019 \u2018Dogs 2\u2019 \u2018Farewell to Maria\u2019 ,Home Chronicles\u2019 \u2018Happy New York\u2019 \u2018Bachelor\u2019s Life Abroad\u2019 \u2018When Reason Sleeps\u2019 \u2018Wojaczek\u2019<\/i><i><\/i><\/p> <p class=\"p1\">In years 2017- 2021 connected with TPS Film Studio as a Senior Colorist in the project Polska Cyfrowa (Digital Poland)<\/p> <p class=\"p1\"><i>\u2018Between analog and digital\u2019<\/i> &#8211; Digital Darkroom. In his work he uses the knowledge and experience gained from working on analogue media.<\/p> <p class=\"p1\">Since 2015, He has been teaching classes on the color correction of the painting at the Warsaw Film School (WFS), for cinematographers and editors &#8211; color development and artistic supervision. In working with students, the focus is on the creative use and impact of color in the film narration.<\/p> <p class=\"p1\">Since 2021 he has been working as a freelancer and owns the studio ColorFilm in Warsaw. He specializes in color correction of short feature forms, tv series, documentaries and promotional films, as well as various musical forms.<\/p> <p class=\"p1\">An analogue photography and 2D\/3D animation enthusiast, a devoted fan of ethno and jazz music and and experimental theater.<\/p> <p class=\"p3\">A passionate advocate for cinematic visual expression, Tomasz remains open to experimentation &#8211; from analog inspirations to cutting-edge digital tools &#8211; continually exploring how color can deepen storytelling and expand the language of contemporary cinema.<\/p> <p class=\"p4\"><span class=\"s4\"><a href=\"https:\/\/tomaszmalinowski.com\/colorist\/\" target=\"_blank\" rel=\"noopener\">https:\/\/tomaszmalinowski.com\/colorist\/<\/a><\/span><\/p> <p class=\"p7\">&#8230;<\/p>',\r\n                                thumb_title : '<h5 class=\"name\">Tomasz Malinowski<\/h5>'\r\n                            }\r\n                                            ],\r\n                    progress_bar\t\t\t:\t1,\r\n                    mouse_scrub\t\t\t\t:\t1\r\n                });\r\n\r\n                jQuery('.tz-gallery').append(jQuery('#supersized'));\r\n            });\r\n        <\/script>\r\n    [\/vc_column][\/vc_row]\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column][\/vc_column][\/vc_row]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"template-homepage.php","meta":{"footnotes":""},"class_list":["post-1405","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/animal-film.com\/index.php\/wp-json\/wp\/v2\/pages\/1405","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/animal-film.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/animal-film.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/animal-film.com\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/animal-film.com\/index.php\/wp-json\/wp\/v2\/comments?post=1405"}],"version-history":[{"count":2,"href":"https:\/\/animal-film.com\/index.php\/wp-json\/wp\/v2\/pages\/1405\/revisions"}],"predecessor-version":[{"id":2408,"href":"https:\/\/animal-film.com\/index.php\/wp-json\/wp\/v2\/pages\/1405\/revisions\/2408"}],"wp:attachment":[{"href":"https:\/\/animal-film.com\/index.php\/wp-json\/wp\/v2\/media?parent=1405"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}